NAUTILUS AND BONE (FRONTENAC HOUSE, 2020)
WINNER OF THE 2020 NATIONAL JEWISH BOOK AWARD FOR POETRY
WINNER OF THE 2021 CANADIAN JEWISH LITERARY AWARD FOR POETRY
ALBERTA BOOK PUBLISHING AWARD, ROBERT KROETSCH AWARD FOR POETRY BOOK OF THE YEAR
LONGLISTED FOR THE RAYMOND SOUSTER AWARD
“More than a biography-in-poems, Nautilus & Bone is a companion to the remarkable life of Anna Margolin. It visits the major episodes and characters in its subject’s story, but it also adds its own music and sensibility, its own rich mouthfuls of language, its own contemporary sense of form and possibility. I am struck by how Margolin’s raunchy, brilliant, tragic, and captivating spirit finds a god-daughter in Lisa Richter’s voracious, passionate voice.” – Adam Sol, author of “How a Poem Moves”
“In Nautilus and Bone, Lisa Richter races around the life and work of Yiddish-language poet Anna Margolin (1887 – 1952) until her “words are wilding.” The poetry supersedes the mere biographical and showcases the triumphs of the genre: in forms including sonnet crowns, centos, and homophonic translations, Richter keeps up with Margolin’s escapades from Brisk to the Lower East Side. Poems such as “Flew the Peacock Off-Golden” combine iconic themes of Yiddish poetry with Richter’s exuberant syntax: “above sleep I became the peacock/my restless eye flew away you bow.” Language flaunts itself across history — with epigraphs ranging from Lorca to Lizzo, the collection memorializes Margolin’s legacy across time. Richter’s exhilarating achievement doesn’t merely bring Margolin to life — it dares the reader to live as fully as Margolin.” – Judges’ remarks, Jewish Book Council
To order Nautilus and Bone, please visit the Frontenac House website, or order through your favourite local independent bookstore.
Closer to Where We Began (Tightrope Books, 2017)
“Lisa Richter weaves time and place with grace and expertise throughout the poems in this her first collection, Closer to Where We Began. Sensual, delicate yet biting, these poems sweep forward and back with energy and insight proving ‘the heart is a finite muscle of blood and music.’ By following the rhythm of each poem’s unfolding we are led to a ‘deeper quiet.’ A rich and resonant book.”—Catherine Graham, author of Her Red Hair Rises with the Wings of Insects
“Richter’s first book traces an intimate diaspora, melding her Jewish heritage from Montreal to Tel Aviv, with her Western stint existing amid “mountains, reflected in puddles” and her current life in Toronto, one threaded through with subtle gestures of love as a couple examines viscera in a gallery, as they cross symbolic suspension bridges and she feels the flower and flame of his hand on her back. Memorial poems abound – for George Harrison, Nathan, Maurice Sendak, Vancouver. Remembering almost has a scent: lush, acrid, irretrievable. These are pieces of young mid-life when possibly a deeper consciousness of death and history twins with continued and reconfigured desires. Inscription, Long Exposure, With your Permission, To my New Grey Hairs and What the Night Brings into Morning are some of my particular favorites in this gently fierce and consistent collection.” – Catherine Owen, author of Designated Mourner
“Wonderful book full of travel, love, memory with an almost hallucinatory sensory quality. A book to get lost in, in the best sense of the word.” – James Hawes, author of Breakfast with a Heron, Goodreads
” These are the poems of the flâneuse, they wander from the Sinai desert to the wine dark Seine to the peaks of a mountain in BC. They are earthy and compassionate poems. They exude sensuality. They are rich with colour and history. They are gypsy, witch, shapeshifting, gothy teenage and hedonistic poems. They are feisty and fun, thoughtful and a joy to read.” – Amanda Earl, author of Kiki, Goodreads
Out of print. To purchase a copy, please contact the author.